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  • 68. PROF GRAYLING MUIR (part 1)

    Nov 30th, 2023

    Part 1 of a weekly series (Part 2 | Part 3 | Part 4 | Part 5).


    Bronwyn Gosling was sitting in a hide on the East Anglian fens, binoculars and camera at the ready. But she wasn’t concentrating on the birds. She had her torch out, dimming the beam as much as she could. She was reading a poor-quality photocopy of a paper that the university librarian had forwarded to her, sourced from the British Library. It was written by Grayling Muir, PhD, from ______ University, Canada. It was the fifth in a series of papers that he had written over the past three years, each looking at different aspects of the behaviour of Brent Geese.

    It was dark so early nowadays. Really she should go home and get tucked up warmly, watch some TV and have an early night. But no, to avoid further eye strain she closed the shutters, put torch on full beam, poured another cup of tea from her thermos, and kept reading. She was thinking back to her first encounter with “Gray”, when he had stayed in her village for a few happy weeks.

    Prof Muir was the most North American person that Bronwyn had ever met, all teeth, hair and broad shoulders. But despite his imposing presence he was reassuringly gently spoken and fell in easily with both village and academic life. He took the bus and train into Cambridge once a week, but otherwise he was out on the fens every day.

    Not Brent Geese, and not fens (sorry). GANTOB out and about in Badenoch with camera earlier this week

    Muir, attending a conference in London early November 1988, had overheard a conversation during a refreshment break. Two elderly ornithologists were discussing a change in the behaviour of a group of local Brent Geese. They knew from the meticulous records of the local amateur birdwatching society that these geese migrated to the same spot in the East Anglian fens every year. Used to a bit of rough and tumble to tag and document these birds, this year they had been struck by their docile nature. “Dazed” said the reports. Standing around or sometimes just sitting, wings by their side, head moving with their pulse.

    Muir studied this further with the local enthusiasts and the team in Cambridge. They identified water sources, chemicals that had been used in the neighbouring fields, tested for infection and noted the general health of the geese and other species. He wrote two papers that year, describing the state of the birds and the exposures, appealing for suggestions in the journal’s letter page.

    Reconstructed from Curt Finks’ 1992 diary (by Ali and GANTOB 2023)

    Names, science and location have all been changed, except Bronwyn’s name (though she uses her married name nowadays).

    To be continued… Read part 2 and part 3; parts 4 and 5 to follow).

    Cover image is from the WWT website.

  • 67. GANTOB PACKS UP

    Nov 29th, 2023

    All is quiet in The Manse. We live on the edge of the village, behind some mature trees. I can’t hear the wind in the trees. I hear some scurrying about outside. Sounds like one of the squirrels making her trip from the trees to the bird feeder.

    I have a lie in to mark the successful conclusion of part 2 of my trilogy. Little Grapefruit’s travels have taken the pressure off for a few days. I’ve been doing some sorting and packing. After the church merger we’re moving in a month, destination unknown.

    Ali is stressed of course. The documentation for The Manse and the church is all in his name. I’ve been doing what I can. But there are distractions everywhere. The cats, who I think are ours rather than The Manse’s knows that something is up. B____ has already been locked in the eaves once, and K____ has been bringing up her breakfast.

    I make a list of things to do and use this to draw up a Gantt chart, colour coded for household, new job and GANTOB (the project). There are 33 days left before I can come out of character and disappear back into the real world. Part 3 of my trilogy.

    One of the sights GANTOB and Ali will miss when they leave The Manse

    After tomorrow I will be handing over the blog to GANTOBers. I have received enough submissions to make this a worthwhile endeavour, with more contributions promised. I will still have some blogs of my own to write, and I will need to try to tie it all together into some sort of konklusion, though life rarely fits into neat calendar years. Returning to my earlier reading about the “intentional fallacy” It all feels rather democratic. It certainly fits with my earliest ideas around “repositioning” when I was trying to work out how GANTOB fits into The KLFRS: “changing the image of (a company, product, etc.) to target a new or wider market”.

    I think that we can answer the question asked in the unnumbered pamphlet “You Decide”. If you haven’t read that pamphlet, you can read more and apply yourself (deadlines are there to be ignored). Currently we are at exactly 23 copies of GANTOB’s 2023: A trilogy. I don’t think that I need explain the significance of 23 to you reader. Might we reach 45? As I said, you decide. I’m still waiting on an application from ChatGPT (other platforms are available).

    GANTOB

    29 November 2023

  • 66. LITTLE GRAPEFRUIT IN VIENNA

    Nov 28th, 2023

    This is part 4 of Little Grapefruit and the Capitals.

    When Little Grapefruit wakes, she finds herself nestled into a vixen’s tale. She thanks her before rushing to hop onto a tram, then bus, to Leopoldsberg, high above the city. It is a beautiful morning. The sun shines like a white grapefruit, picking out highlights on the vista below. The Danube is blue today. Little Grapefruit observes the river’s route back the way that she swam, but is quickly distracted by the parkland and modern towers to the left, the islands in the middle, and the old town to the right.

    Postcards kindly provided by Paula _____ (who was sent them by Curt Finks). Features incinerator, house, and churches adapted by Hundertwasser

    Anyhow, she is grateful for her excellent eyesight. She wonders how many people realise that grapefruit are an excellent source of vitamin A as well as vitamin C. She zooms in on the sparkly orb that decorates the Spittelau Incinerator. She decides that she is going to have a day focusing on the work of the artist Friedensreich Regentag Dunkelbunt Hundertwasser. Imagine choosing a name that includes the words “rainy day”, “dark coloured” and “hundred waters”.  Little Grapefruit wonders what she would call herself if she had free rein.

    Rolling down the hundreds of steps from the church high above Vienna to the waters of the Danube, Little Grapefruit struggles to control her descent. She arcs high above a busy road and plunges deep into the river, surfacing a few minutes later in the Donaukanal beside the incinerator. She would love to roll across the roof, along the curves. But she knows that is not possible, so she keeps going.

    Photos from the Curt Finks estate

    Hundertwasser had lots of ideas. He redesigned houses so that there could be space for “tree tenants”. He decorated boring buildings like the old incinerator with tiles and a gold egg and cut big chunks out to make unexpected shapes. And he thought that floors should be uneven and interesting, providing stimulation for the soles of your feet. He built houses by these rules. And they’re nearby.

    Opting to roll rather than swim this time, she crosses central Vienna, narrowly missing a stomping busker playing the bagpipes and wearing a terrifying pair of floral Dr Martens. She crosses the Stadtpark, paying her respects to Johann Strauß.

    Little Grapefruit buys a ticket for the Hundertwasser museum, rolling around the uneven floors until closing time. She decides that Hunderwasser was right: “the straight line leads to the downfall of our civilisation”. That night she sleeps under a Spraybanane (AKA banana graffiti). 

    Little Grapefruit sleeps under a Thomas Baumgärtel print (you didn’t think she would be sleeping outside did you?)

    LITTLE GRAPEFRUIT AS SHARED IN A POSTCARD TO HER EVEN SMALLER WELSH COUSIN

    28 November 2023

    This post marks the end of part 2 of GANTOB’s 2023: A trilogy.

    The adventures of Little Grapefruit will be concluded in a future pamphlet, which will contain some of the materials included so far in these 7″ single excerpts. The pamphlet (GANTOB Pamphlet X30) will be issued in a print edition of two:

    • one in a Christmas card to the person who sent GANTOB the question “How I can I make my children appreciate the beauty and the value of a well crafted and thought through long playing record in the age of streaming?”
    • one to the person who can identify the quote in GANTOB’s first book that attempts to answer that question.

    Pamphlet X30 will also be available electronically, hidden in the blog posted on Christmas Day.

    Have you found the electronic copy of Pamphlet X11 yet?

    Send in your completed blog ideas for a chance to win the book of this blog (you’ll need to give an excuse for a late submission, but I’m quite reasonable really).

  • 65. LITTLE GRAPEFRUIT AND THE CAPITALS – PART 3

    Nov 27th, 2023

    Little Grapefruit feels self-conscious as she looks into the water. She worries that people will try to rescue her, not realising that she is an experienced swimmer with a clear travel plan. Instead, she takes the bus from Bratislava to Hrad Devin. She rolls past thistles that make her feel homesick, into the ruined castle. From the crenellations  on the battlements she looks out over the setting sun, throwing a grapefruit pink over the still water of the river bend and the plains of Burgenland. She hums the words “The Danube is pink, it’s pink, it’s pink” to that old tune by Johann Strauss II.

    Little Grapefruit recalls visiting the other side of the Danube when she was a very little girl, looking up at the cliffs and this castle, past barbed wire fences and watchtowers. She has had a number of regenerations since then. The world has changed beyond recognition since the 1970s. Little Grapefruit thinks that we take a lot for granted nowadays. She is relieved that grapefruit can now travel freely across Europe.

    Little Grapefruit taking the Blue Danube Orbital

    LG rolls down from the castle into the Danube, dodging the pleasure cruisers. She swims upstream for hours, never flagging, her mind freed up now that she can forget the acronym that has guided her this far. Along the way she communes with a small school of friendly common nase (Chondrostoma nasus) that are hiding on a gravel bed at a large bend in the river. They readily share their meal of algae, and swap contact details. LG heeds their warning about the giant fish called huchen (or Hucho hucho to give them their scientific name) that would eat even a large grapefruit in a single gulp.

    Little Grapefruit feels conspicuous for long stretches of the river, as the only pink object in evidence, catching the light of the full moon. The stars are bright on this clear night, away from the glow of the city. But little by little they fade, partially obscured by the dull red dome above Vienna, and Little Grapefruit starts to recognise familiar landmarks. She turns off at Donaukanal and surfaces at Schottenring because it has a friendly ring to it, and it’s a good starting point for the day ahead. It’s exactly 03:00. She sleeps in a bush at Votivkirche. She feels relaxed. This is the city where she grew up, in a Julius Meinl supermarket on Krottenbachstraße.

    LITTLE GRAPEFRUIT – SENT BY POSTKARD SELEKTED FROM A TABAK ON THE GRABEN

    27 November 2023

    Send in your completed blog ideas by 27 November 2023 (that’s today!) for a chance to win the book of this blog.

  • 64. LITTLE GRAPEFRUIT AND THE CAPITALS – PART 2

    Nov 26th, 2023

    Little Grapefruit is high up in Tallinn, spinning round the upper decks of the tower, enjoying a perfectly clear morning. A large part of her enjoys being little, but she worries about her deceptively soft rind being stepped on and pierced by a stiletto heel. She shakes off her concerns by bouncing along the old streets of Tallinn, before heading south along trunk roads out of town. She breathes a sigh of relief when at dusk she reaches the peace and quiet of tracks that carry the scent of wolves. She navigates successfully by celestial bodies until she reaches the next village.

    That night she ruminates on height. Everybody seems very tall in Estonia. She thinks back to her days in Bowlingham: the arguments with her siblings, and the comforting words of her mother. There should be no stigma, no labelling of grapefruit by size or colour. She sleeps in a barn by the border with Latvia.

    Little Grapefruit wakes to the sounds of bells. She drops down onto the soft hay, nodding to the hens who offer her breakfast, crosses the border, and hitches a lift to Riga with a pig farmer who is off to visit the bank. In the Latvian capital she enjoys a concert by a local children’s choir. She persuades a passing rollerblader to untie a yellow pedalo that is wintering against a pier. They cross the Daugava River, stopping off to explore the islands on the way. It is all a bit of a blur.

    She follows a similar schedule as she travels through Lithuania and Poland, stopping off to do the tourist trail, talk to the locals, and search out family members in the supermarkets. Her penultimate stop is Bratislava. She travels there by train, taking the advice of the helpful ticket collectors along the way, sometimes struggling to make herself understood as she asks about the best routes. She has a good ear and is a quick learner, but she has to make a number of adjustments along the way from Estonian, to Latvian and Lithuanian, then Polish and Slovak. She will check with her teachers back in Scotland if they are on the school curriculum. Arriving at Bratislava Castle a couple of hours before closing time she catches her first glimpse of the Danube and her little heart leaps. She rolls down to the water humming a tune by Johann Strauss. 

    LITTLE GRAPEFRUIT – EMAILED TO GANTOB FROM AN IoT ENABLED FRIDGE IN A SUPERMARKET IN BRATISLAVA

    26 November 2023

    Send in your completed blog ideas by 27 November 2023 (that’s tomorrow!) for a chance to win the book of this blog.

  • 63. LITTLE GRAPEFRUIT AND THE CAPITALS – PART 1

    Nov 25th, 2023

    Little Grapefruit keeps in touch with her parents in Bowlingham, and her many siblings across the world. After rolling around Finland for a few days, taking a triangular track from Helsinki to Turku, up to Tampere, and back to the capital, she visits an internet café, pays the owner for an hour, and logs on. On Instagram she spots GANTOB and The Benefaktor getting into a lather about a “Kapital X”. Checking her emails she spots a note from a Welsh cousin who has recently taken a rather rough ferry crossing during an adventure to Liverpool. An accompanying photo shows her cousin in a markedly green hue, almost as if still on the tree.

    Little Grapefruit was going to cross the Gulf of Finland by ferry, but after checking the weather she decides to go by seabed instead, making a mental note to avoid disturbing the cables and piping she has read about in the newspaper. She readies herself for the journey committing a few details to memory. She has left all her usual kit in Badenoch, knowing that her mobile phone and paper maps would not survive her travels by sea (and create uncomfortable corners). Before her hour is up in the café, she has learnt the following lists: Estonia, Latvia, Lithuania, Poland, Slovakia. That’s easy – alphabetical order. But in the last few seconds of her session she realises that the signs that she will be relying on to navigate will not use country names (except at the borders) – they’ll be focused mainly on nearby towns and cities. She zooms out of the map, just far enough to see the capitals. She tries to remember them all: Tallinn, Riga, Vilnius, Warsaw, Bratislava. She tries to think of a scheme – anything – that will allow her to remember them in order. Tractor reaches velocity with bales. That might work. Her time is up.

    Little Grapefruit tilts herself to 5 degrees as she passes the owner, hoping that he will recognise this as a gesture of thanks. She can’t say anything, or she’ll forget her list. TRVWB she recites, imagining a pastoral scene at harvest. She plops into the water, holding her breath, and uses the techniques her mother taught her to weigh herself down by thought processes alone, and trundles across the Baltic Sea, reaching land a couple of days later, making a beeline for the top of Tallinn TV Tower.

    AS KONVEYED TO GANTOB BY THE GHOST OF THE OBSERVER

    25 November 2023

    Send in your completed blog ideas by 27 November 2023 for a chance to win the book of this blog.

  • 62. KWALITY KONTROL

    Nov 24th, 2023

    Note: The “featured image” for this post is a photo of three new pamphlets (from a recent tweet). Copies of these pamphlets are not yet available electronically. They have been posted to GANTOBers and a very small number were available at The Krossing in Liverpool.

    I have spent much of today performing bureaucratic gymnastics. After a 3-month hiatus I am about to re-enter the world of sales. References are not required. Progress against company targets will be assessed after a month.

    I wrote yesterday of going “off grid” to avoid The Benefaktor. If only it was so simple. Pamphlets don’t just print and distribute themselves. It’s hard to go incognito in a small village. Everyone knows your business. Eyebrows have been raised at grapefruit stationery, “K” earrings, a need to recycle large numbers of printer cartridges.

    My family in Edinburgh, Stirling and Perth are too busy to help. So I had to rely on The Foundation Doktor again. She is still doing her penance for the “Curt Finks” skateboard bootleg. She seemed agreeable to printing pamphlets and stuffing envelopes. I emailed her the files, transferred funds by PayPal. Job done by Saturday evening, nipping into the Easter Road Post Office before 6PM.

    A regular GANTOB associate sent me a scan of the pamphlets he had received on Tuesday afternoon, and I have been checking them against my master copies. Initially I thought TFD had discharged her duties without complication. They were printed two-sided, flipped on short edge, trifold. But on closer inspection I noted two anomalies.

    An excerpt from the first of the new pamphlets – Who Died Last? (GANTOB Pamphlet X12)

    First, TFD has removed a mention of Ali. Instead it states that The Observer is the only “person” to have seen me and The Benefaktor at the same time (which was during our “induktion meetings” on Calton Hill). Sekond, the final “k” dropped in what should have been “konjekture”.

    I approached TFD about these changes, and to her kredit she acknowledged her aktions without hesitation. In fact, her answer was almost too quick. Ali knows The Benefaktor as Rev K____, so The Observer remains the only “person” with such direkt knowledge of my troubled partnership with TB. And the “c” that krept into “konjecture” was for aesthetics. She just doesn’t “get” the K stuff. She was born in 2000, long after The KLF, or The K Foundation, or 2K. She’s all Weyes Blood and Beyonce.

    I let both excuses pass. I find myself warming to her, bonding over shared tasks. She asked me not to tell “The Thin Man”, as she sometimes calls The Benefaktor. I agree, unkonflikted.

    I tell Ali about his disappearance from the pamphlet and he seems unphased, muttering something about being Lapidoth to my Deborah.

    GANTOB

    24 November 2023

    Send in your completed blog ideas by 27 November 2023 for a chance to win the book of this blog.

  • 61. XPERIMENT 2

    Nov 23rd, 2023

    After further reading I realise now that there was a konnektion between Kerr and another kultural reference in the Kompanion Volume. I wrote KV in a flurry of aktivity in September 2023, reeling from the changes in my work and home circumstances, tying up loose ends from my first book (Grapefruit Are Not The Only Bombs 2023), generating ideas for the next stages of the GANTOB project and getting to know my new funder, The Benefaktor.

    This period was full of “green doors” – those branch points where life could have gone in a different direktion. As an anonymous projekt, and out of kash, I could just have melted away, and only a few people would have wondered what had happened to the book. Or I could have asked The KLFRS for an extension to my 23 September deadline and made an applikation to an arts funding body.

    Instead, I ploughed on, forged my alliance with The Benefaktor and put the book out on skedule. What I hadn’t appreciated was that The Benefaktor was playing his games throughout that period, making in-jokes for his literary friends in Edinburgh, and laughing at my efforts as first-time author.

    His first few posts on this blog alluded to various pairings and duos, from Drummond and Cauty to Lennon and McCartney and subatomic relationships. I had read these as a metaphor for our partnership, and my willingness to host his writing while I sorted myself out. I had missed another more subtle relationship that had been introduced by hook or by krook.

    https://www.imdb.com/title/tt0049646/

    I wrote yesterday of my koncerns that The Benefaktor guided my first ever book drop subconsciously, with Judith Kerr’s Mog representing the first photographic evidence of my unexpekted meanderings north into Edinburgh’s New Town. And before that I noted The Benefaktor’s subterfuge in faking a Curt Finks story, identified eventually by the mention of Nigel Kneale’s Quatermass Xperiment.  I wonder if I ever had kontrol of “my” projekt at all. Kneale (1922-2006) was a successful screenwriter, and was married to Kerr (1923-2019) (all the Ks, and a 23). I pore over both their biographies, noting a Dr Who konnektion and other possible leads. What is The Benefaktor playing at?

    I realise that I need to go off grid. Today, with most of the KLF focused fraternity focusing on The Krossing, my main kommunikations will be by pamphlet, out of sight of The Benefaktor.

    GANTOB

    23 November 2023

    Cover photo is from one of my earliest tweets. It features photo promoting The Wardrobe Ensemble adaptation of the classic book by Judith Kerr

    Down in Edinburgh for the evening, to see some Edinburgh Fringe shows

    Nice to see one of the cultural icons featured in 2023: 𝘈 𝘵𝘳𝘪𝘭𝘰𝘨𝘺 making an appearance

    Back to Badenoch tomorrow

    Time to drop off some books with #GANTOB2023 pamphlets along the way I hope pic.twitter.com/F8k690QAoU

    — Gillian Finks (@GANTOB2023) August 4, 2023

    Send in your completed blog ideas by 27 November 2023 for a chance to win the book of this blog.

  • 60. XPERIMENT 1

    Nov 22nd, 2023

    X marks the spot.

    Elon Musk rebrands Twitter as X.

    Don’t put all your X in one basket.

    X-cise.

    X-roads.

    Yesterday, when The Benefaktor made a comment about Mog the cat after I confronted him about the letter X, I experienced a sense of déjà vu that I have been unable to shake off. The same queasy feeling I have whenever entering Edinburgh city limits.

    As a child of the 1970s, with children of my own, I am very familiar with Mog and Judith Kerr’s other famous feline character Tiger. But it is the domestic variety that has been darting through my brain for the past 24 hours.

    On 4 August 2023 I left Edinburgh Waverley Station and wandered through the streets of Edinburgh, looking for a suitable spot for my first ever book drop. I was on my way to see a few Fringe shows, but rather than heading into the koncentration of venues around the Old Town I headed north to the New Town, taking a photo of a poster for the “Mog The Forgetful Cat” show. I realise in hindsight that I kannot explain my aktions that evening. It is almost as if I was being guided by an external force.

    The second hand book and charity shops were closed, but I knew about the Little Free Libraries from my previous visits. I looked up the LFL website and found some suitable locations, but checking this today I see that the Scotland Street LFL that I used is not even listed. No X marking the spot. Yet I followed what now seems to have been a trail that was laid out in advance, to areas of the city unfamiliar from my previous visits. Reading through The Benefaktor’s post Knots, I wonder if he had placed the markers, forcing me down a particular route. Yet I kannot believe that he was instrumental in pasting Fringe posters or other klues that would have direkted me.

    But perhaps I am forgetting details, or missing a key point that The Benefaktor is either direkting me towards or wanting to konceal. I search for possible motives. The mention of children’s karakters in The JAMs’ book 2023: A trilogy – including Mog – appears to be extraneous to the plot. I mentioned Blue Cow and Blue Peter in recent posts. Were they inkluded in The JAMs’ book? I am losing trust in everything, including myself.

    22 November 2023

    Send in your completed blog ideas by 27 November 2023 for a chance to win the book of this blog.

  • 59. KAPITAL X

    Nov 21st, 2023

    Kahneman also wrote in his book Thinking Fast, And Slow that: “System 1 and System 2 are so central to the story I tell in this book that I must make it absolutely clear that they are fictitious characters”. My sense of reality and identity are shaken after the events that took us from Bill Drummond’s piece Great Expectations to my revelation that The Benefaktor’s Curt Finks 1982 Edinburgh Fringe programme(*) was in fact a forgery. Like Grandfather, like Granddaughter. Did you spot the problem? If not, there are spoilers ahead. You might want to start back at Expektations including footnotes.

    The focus of the Edinburgh Fringe “programme” was an area of Edinburgh. It takes us from the architect of James Gowans, and his overambitious schemes, to a sci-fi film that Curt Finks apparently watched while bunking off lectures at uni.

    The excerpt that The Benefaktor sent me read as follows:

    “Victorian architect’s hubris… aiming to establish… a palace of recreation, performance, and an aquarium… The great entertainment venue was not built to the original plans, and the disappointing substitute was repurposed a number of times [including as a cinema]… before being razed to the ground in the 1960s… I had sat in the cinema in the mid-1950s watching, I think, The Quatermass Xperiment with a few [friends]”.

    I believe that The Benefaktor was attempting to draw parallels between Gowans and Drummond/ The KLF/ K Foundation and their magnificent/ hare-brained schemes. He will not be drawn on this.

    What The Benefaktor definitely missed was a capital “E”. The sci-fi reference was the Nigel Kneale scripted movie “Quatermass Xperiment” (1955), which was based on a 1953 BBC TV series called “Quatermass Experiment” (1953). Having Curt Finks watch the film (without leading “E”) in the cinema meant that the Quatermass reference had to start with a capital “X”. And the Curt Finks Edinburgh Fringe programme template had no capital X. The Finks method of printing would simply have been to move to the closest alternative (a lower case “x”). The Benefaktor’s forgery had a kapital X. Big mistake.

    The Curt Finks template

    If you spotted this, well done. If not, then you can konsole yourself that you were stuck in System 1 thinking and head to a comfortable darkened room and lick your wounds. When I konfronted The Benefaktor with this evidence by email he replied with a picture I had taken of Mog the cat.

    GANTOB

    21 November 2023

    Send in your completed blog ideas by 27 November 2023 for a chance to win the book of this blog.

    (*) See The Kompanion Volume

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